“Quite An Unusual Couple”: Early Thoughts on “WandaVision” (Episodes 1-3)

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I love comic-book movies and have been a pretty big fan of the Marvel Cinematic Universe (MCU) thusfar, so I was cautiously intrigued when Disney first announced their upcoming Marvel streaming series’ that would premiere on Disney+. Of the shows that were announced, I figured The Falcon and the Winter Soldier and Hawkeye would be my favorites, but the one that didn’t make sense at all to me was WandaVision.

Early descriptions of the premise sounded pretty terrible, to be honest. “Wanda and Vision as a couple in a sitcom”? What a letdown from the heights of Infinity War and Endgame–and wait, isn’t Vision still dead? What’s going on here?

A few months back, when the first teasers and trailers for the show were released, my mind changed completely. From the visuals and editing to the music cues and special effects, it was clear that WandaVision was going to get weird–and that got my attention. Okay, MCU, let’s get weird.

Well, we’re now 3 episodes in, and I’m 100% on-board. Here are my early thoughts on the show so far (and yes, there will be spoilers, so if you are waiting to watch the show, click away now):

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Initial Disclaimer #1: I’ve only watched these episodes once so far (I may give them another go soon), so this is based on initial impressions and the things I’ve gleaned from the internet after each viewing.

Initial Disclaimer #2: I’m not as versed with the comics versions of these characters, so other than some broad-stroke information (e.g. The Scarlet Witch is the daughter of Magneto), my knowledge base is primarily the MCU version of the characters.

Nick (Fury) at Nite

What struck me from the outset was the outstanding visual direction, set and costume design, and use of sound cues. The production team has recreated the vibe of a classic TV sitcom with each episode, and the care and intentionality of the direction and design is apparent. The first episode all but perfectly recreates the living room from The Dick Van Dyke Show (including a cheeky “ottoman side-step” reference!), while the next 2 episodes change the house to reflect the design sensibility of Bewitched and The Brady Bunch. The use of the canned laugh-track, the writing, and the storylines seem to be ripped directly out of Sheldon Leonard’s old notebooks, and the show looks like it was shot on the DesiLu back-lot. Even the opening credits are created to evoke those era-specific TV shows, often directly referencing the animation or font design of the titles.

What’s more: the “classic” comedy plots and writing work for me. I’ve read critiques calling the storylines hokey or corny, but as someone who grew up on countless hours of sitcom reruns from that era, it hits the spot for me and makes me genuinely laugh throughout–to the point that I become a little self-conscious about it, while watching the show with my wife. The fact is, I absolutely love that era of television. It’s visual comfort food. And the showrunners get it.

Rather than try to mock or parody the genre, the WandaVision team has created a kind of love-letter to that time period in TV history, and the show feels like it would fit right in with the classic Nick-At-Nite lineup of my youth… at least until someone starts choking or cuts their hand, at which point the illusion begins to shatter.

It’s Creepy and It’s Kooky

What makes the show work as part of the MCU is what has (up to this point) been lingering at the edges: certain moments when the audience can see (and the characters themselves begin to acknowledge) that none of this is real. This creates a palpable dread that hovers just off-screen for most of each episode.

The ways this is done are varied and creative: Wanda’s ability to rewind or edit conversations; errant radio broadcasts that break through the musical background; splashes of color during the first 2 “black-and-white” episodes, a la Pleasantville. Even the commercials in the middle of each episode are full of Easter eggs and clues about this ongoing mystery. Then, in Episode 3, the facade falls away, as Vision’s neighbors seem to allude to their being held prisoner in this idyllic town, and Wanda’s friend Geraldine outright mentions Ultron when Wanda begins talking about the death of her brother.

So what’s going on? Here are my current theories, based partly on some things I’ve read about the visual references in the first 3 episodes (and I’m posting this today because I have a feeling the plot’s going to get blown wide open with Episode 4):

  • I’m fairly sure Wanda’s in control. The times that Wanda uses her powers to “clip” conversations or rewind time tell me that she’s the one in charge (at least, in charge of what’s happening inside Westview–though someone or something else might be controlling her?). The town of Westview is a simulation, a pocket universe, or some sort of reality-stone-style construct. She’s incorporated the classic TV she may have seen as a child in Eastern Europe and used it to create an idyllic “happy ending” for herself and Vision that she feels they deserve and were denied.
  • I’m not sure Vision is *really* there. At least, not the Vision that Wanda knew and loved in Infinity War. The Vision we see here is either a construct of Wanda’s fantasy, or perhaps an earlier “save file” of him that she was able to get hold of. Either way, he’s as much a prisoner as anyone else in this town.
  • Wanda’s friends are trying to break in. Geraldine is clearly an agent of SHIELD or is working on their behalf, but when she oversteps and pushes on Wanda too hard, she’s expelled from the fantasy world. It’s clear at the end of Episode 3 that SHIELD (or at least SWORD, which I learned is an office within SHIELD) is trying to protect (Contain? Control?) Wanda, perhaps because she’s more powerful than they can handle at this point.
  • There isn’t a “bad guy”–or at least, if there is, it’s Wanda. My guess is that once she realizes the illusion will not hold, she may become angry and/or vengeful and may lash out at those trying to bring her back to the real world, unless or until “Vision” talks her down and convinces her that it’s time to let go and move on. This ending will be heartbreaking, but ultimately satisfying.
  • This opens the door to “mutant” involvement in Phase IV. The background question in all this is how these Disney+ series’ interact with MCU Phase IV. I’m wondering if this show will be used as a way to lay the groundwork for introducing the X-Men into the MCU, since the character of Wanda now firmly has a foot planted in both “worlds.” (Note: I didn’t come up with this idea; one of the “easter egg” posts I read online connected the Episode 3 commercial language about the “goddess within” to the possibility of retconning Wanda’s powers so that they were innate to her as a mutant, rather than created by Strucker and Hydra.)

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So there you go: early reaction and theories about WandaVision, in advance of Episode 4’s release. I’m absolutely digging this show, and I can’t wait to see how it ends. If you want me to follow-up with some final thoughts once the series concludes, let me know in the comments and I’ll be happy to oblige you. (I may do it anyway.)

Your Turn: What do you think of WandaVision so far? Is it funny and intriguing? Hokey and slow? Mysterious and spooky and altogether ooky? Let me know in the comments below!