In a culture wholly driven by the moving image, we feed on spectacle every moment of the day. We are awash in the blue glow of screens almost from the moment our eyes open in the morning, until we collapse into sleep at night. While a library of books has been written about the good and bad (mostly bad) of a digital or image-driven culture, there have been considerably fewer authors in the last half-century who have focused on the deeper spiritual ramifications of constant spectacle.
In recent months, I have enjoyed (and discussed) books by Andy Crouch, Cal Newport, and Senator Ben Sasse, regarding the need for distance and perspective when it comes to digital media, but these arguments have been overwhelmingly pragmatic and relational. As I noted in my review of Digital Minimalism, I was keenly aware of Newport’s lack of spiritual perspective; that is, he had a good sense of the effect of digital obsession on the mind but no sense of how it bends the soul.
This is why I am thrilled to recommend Tony Reinke’s latest work to you: Competing Spectacles: Treasuring Christ in the Media Age.
In Competing Spectacles, Reinke fills in that missing piece in the important discussion of screen addiction and digital distraction by focusing on the cumulative effect such diversions can have on our spiritual life and growth.
In this follow-up to 12 Ways Your Phone is Changing You, Reinke examines the prevalence of “spectacles” in our culture, and how spectacle saturation affects the spiritual appetites. The good news is, he doesn’t simply take the anti-tech position of “screens bad, stay away!” Rather, in the first section of the book, Reinke examines the nature of spectacle in several facets of cultural life, the power that spectacles have on us, and the way our appetites for such entertainment are developed.
In the second section of the book, Reinke considers what Christianity has to say about spectacles–particularly, which spectacles can and should capture our eyes and minds. This section really sings, as he applies the transforming truth of the Gospel gently but directly to our tendency toward amusement and distraction.
Near the end of Part 2, Reinke provides “Summations and Applications” that help the reader think through how we can put these truths to work in our hearts and daily lives. He concludes with a beautiful vision of what happens when our gaze is rightly fixed on a Spectacle worth observing.
Throughout the book, I was struck by by Reinke’s eloquence, recalling the proverb about words fitly spoken being like “apples of gold in settings of silver.” Had I been reading a paper copy, there would be several sections with entire pages highlighted, underlined, and starred. Once in a while, I had to just stop for a moment to appreciate a perfectly crafted sentence. Reinke outdid himself in the mechanics and construction of his prose in this book.
In the very first chapter, Reinke calls Competing Spectacles “a theology of visual culture,” and the description is apt. This isn’t just a book about screen time and self-control, social media addiction and the degradation of societal decorum. This book is inherently and blessedly theological in scope, and as such, it fills a glaring gap in this important discussion.
I heartily recommend Competing Spectacles to all my readers, and particularly those who (like me) have been wrestling with the effect of digital media and entertainment on their hearts. This book should be part of every Christian’s library, where it can be revisited from time to time for reconsideration and reflection.
Note: I have been provided an advance copy of the book, in exchange for an honest review. The preceding thoughts are entirely my own.