52 Stories #10-11: Two Stories About Consulting Detectives.

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This week, I’m delighted to discuss two stories about the most famous consulting detective in literature: Sherlock Holmes. The first is a tale by Sir Arthur Conan Doyle called “The Red-Headed League.” The second is another unexpected delight from Neil Gaiman, titled “A Study in Emerald” (recommended by Pedro Jorba on the GOLiverse Facebook page). So, can I deduce some interesting insights from these stories? Elementary, dear reader!

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“The Red-Headed League” by Sir Arthur Conan Doyle

The Pitch

Sherlock Holmes is hired to find out why his client was paid to copy pages out of the encyclopedia. Naturally, the game’s afoot.

The Pay-off

This is a pretty standard Sherlock Holmes story–a curious case, a few interesting details, and a brilliant Sherlock deduction that’s almost too clever by half. I enjoyed it, but it doesn’t stick to the ribs. I’ll try not to give too many details, in case you haven’t read it before.

The Takeaways

I wonder if I’m a bit too familiar with the Sherlock formula, because as soon as one minor character was introduced, I knew something was up. I’ve read just enough Doyle to know to look for minor details and unusual characters. (Though I’ll admit, I totally passed over one key detail.) When it came down to it, I had basically figured out the broad strokes before the story’s climax. I wonder if this is more due to the fact that Doyle is essentially the gold standard for the genre, so his techniques have moved from innovative to perhaps a little cliched. Readers familiar with the formula know what to watch for, in other words. (Think of it as the detective-fiction version of the “Shyamalan Problem.”)

I feel cheeky to even mention it, but it almost feels like ACD makes Watson a little too dense in order to make Holmes look even more brilliant by contrast. I’ve always understood that Watson was no fool, and I think ACD sometimes does the character a bit of a disservice in order to make his hero shine. That said, oftentimes the resolution of a case depends on Sherlock’s encyclopedic knowledge of arcane details (very likely unknown to the reader) and his keen observation of details we must be told rather than shown. Frankly, it takes away some of the fun if there’s almost no way we could have worked out the solution ourselves. In those instances, the climax is basically “Oooh, look at the big brain on Sherlock.”

That said, if you haven’t read “The Red-Headed League,” it’s worth your ten minutes or so. It’s not a bad little tale, even if it’s not one of ACD’s best. Here are a few favorite quotes from the story:

  • When Sherlock walks a civilian through his deductive process and they respond that it now seems almost obvious, Sherlock quips, “I begin to think I make a mistake in explaining.”
  • “As a rule, the more bizarre a thing is, the less mysterious it proves to be. It’s your commonplace, featureless crimes that are really puzzling.”
  • And the source of one of my favorite Sherlockisms: “[German music] is introspective and I want to introspect.”

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“A Study in Emerald” by Neil Gaiman

The Pitch

The consulting detective and his military veteran sidekick are called in on a grisly murder scene involving a member of the royal family. Then things get…weird.

The Payoff

Oh my goodness, y’all. I was ABSOLUTELY DELIGHTED by this story. Gaiman turns the formula (and the reader’s expectation) on its head, as he spins this variation on Doyle’s classic “A Study In Scarlet,” filtered through the unearthly prism of H.P. Lovecraft’s paranormal horrors. This story is another entry in Gaiman’s collection Fragile Things, and I cannot encourage you heartily enough to read it. It’s my favorite #52Stories read so far, and will no doubt be in the running for top-five at the end of the project. If you have any appreciation for Sherlock Holmes, file this under “Must Read.”

The Takeaways

I’m loath to divulge much if any detail, so I’m going to go ahead and put up a SPOILER WARNING right here. I want so badly to talk about it, but I would hate to ruin the fun for you, reader.

I mean it: If you haven’t read the story yet, bookmark this page, go read it, and come back. I’m serious, do it. You really do want to read this story with no advance details other than what I’ve given so far.

We all caught up, class? Okay, good. Onto the bullets!

  • The last time we looked at a Gaiman story, I mentioned that the normal-seeming story veered suddenly off the rails with dialogue and details that made me do an actual double-take. This was no different: specifically, when the sleuth asked our narrator, “Was it the number of limbs?” Um, I’m sorry, WHAT?
  • I adore the “advertisements” between each section, which feature subtle allusions to other horror icons (though I had to do an internet search for one Anglo-centric reference in particular). It’s the type of added detail that might feel a little strange and disconnected to readers who aren’t familiar with classic literary horror, but for geeks like me, the references made me actually giggle.
  • “They call her Gloriana because she is glorious. They call her Victoria, because she was victorious in her conquest of us hundreds of years ago, and because her name cannot be spoken by human tongue.” Paraphrased from memory, but still my favorite line from the story. Making Queen Victoria one of the Great Old Ones was inspired.
  • Gaiman’s off-handed reveals of the religious and political realities of the story are stunning. What an effective way to leverage the reader’s assumptions in order to surprise.
  • There is so much deep Sherlock lore in this story. I’m not fully conversant in the Holmes cases, but I knew enough to catch the more obvious Easter eggs. I also freely admit that I looked up a few names or phrases that seemed to have meaning behind them. Gaiman employed a deep familiarity and obvious love and care for the source material when he constructed this gem.
  • THAT ENDING! I’m still “shook” by the final reveal, y’all. Remember the last scene with Paul Giamatti’s character at the end of The Illusionist? The sequence in the train station, mixing flashbacks, Edward Norton’s voiceover saying “Everything you have seen is an illusion,” and the shots of Giamatti, camera spinning around him as his middle-distance concentrated stare breaks into a smile of understanding and appreciation. He laughs once and claps his hands as the pieces fall into place. THIS, this EXACTLY, is how I felt when I read the last few paragraphs of “A Study in Emerald.” When Gaiman pulls off the final trick, revealing the identity of the murderers, I was gobsmacked. What a triumph. What a masterpiece of sleight-of-hand.

I loved it. I just loved it. AAAAHHH. So much fun.

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Agree? Disagree? Any observations of your own? Let me know in the comments!

 

 

 

 

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