[What is #52Stories? Check it out.]
This week, let’s take a step back from sci-fi (I promise, not *every* story I read will be sci-fi… just, ya know, most of them) and talk about something written in the last few years. I picked up a copy of The Best American Short Stories 2018, edited by Roxane Gay, and flipped through it to find something different to read. Truth be told, some of the stories in that collection weren’t really my bag. Several of them, in fact. But the title of today’s story caught my eye (understandable, being a Baptist myself). As it happens, “The Baptism” is a western, so no matter how I try to avoid genre fiction, I can’t stay away!
I looked briefly and couldn’t find a (legal) link for you to read the story online, but you can find the collection at your local library, if you’re interested.
A Protestant minister in a small prairie town must decide if he can baptize a very wicked man in order to protect the man’s fiancee from harm.
Rash’s story challenged me to put myself in the position of the minister and answer the question: To what extent can I hold to fidelity in doctrine or practice, if doing so brings direct harm to another? (This question is more deeply and brutally examined in Shusaku Endo’s powerful novel, Silence.) Reverend Yates is challenged by Gunter’s open malice and arrogance, wrestling with his role as a protector of the flock. In the end, the plot resolution was a bit too clean, although the final paragraph or two leaves the reader with some lingering questions.
(Spoilers ahead, FYI.)
- Rash might be charged with pulling his punch a bit, as he uses a “Deus ex Remington” to remove Reverend Yates from his impossible choice. By doing so, he left the question of Yates’ decision open and difficult to answer, given how little the reader knows about the preacher.
- That said, I half-expected Yates to push Gunter under the frozen water during the baptism and then hold him there until he drowns, allowing his body to float away under the ice. No doubt, the townsfolk present who were already alarmed at the possibility of Gunter and Pearl’s marriage would all agree it was an accident and walk away (much as they did in the actual resolution of the story). Part of me would have preferred that ending–something more decisive. Ambivalent protagonists can be frustrating. (Yes, yes, Hamlet, yada yada yada.)
- Yates’ uncertainty about what to do made me uneasy, especially when he was making counter-arguments to the town elders. Rash effectively muddies the waters (pun intended) so that the reader isn’t sure what to expect when morning comes.
- FWIW, I can understand wrestling with the hope that Gunter *could* change his ways, but obviously I disagreed with the minister’s suggestion that the waters of baptism could have any spiritual effect on an avowed sinner. (I can’t remember what denomination Yates is supposed to be a part of, but it’s not Southern Baptist!)
- In the end, Reverend Yates seems to decide to accept the burden of guilt for his actions–whether that’s the guilt of providing apparent absolution to an unrepentant abuser and possible murderer, or allowing the man to destroy himself without a word of warning.
- The story has as “happy” of an ending as it can, but even then, it comes at the cost of a dead man in a river. Depending on the story you’re writing, sometimes there’s no other way for justice to be done.
This was an interesting tale. Nothing that will stick with me for years, but Rash presents an interesting and complex situation, in terms of both justice and faith.
2 thoughts on “52 Stories #9: “The Baptism” by Ron Rash”
“Deus ex Remington.” Nice!
I was a big fan of Ron Rash’s short story collection Something Rich and Strange. One of my favorite reads a couple years ago. My book club even liked it and they’re generally a tough audience. I don’t think this story was part of it though, but I will seek it out. I usually pick up the BASS volumes anyway, though I’m generally a year or two behind. 🙂
Thanks, Jay! I’m definitely interested in reading more of Rash’s stuff. This story was a nice introduction to his work. The rest of the BASS collection? *shrug*. IIRC, Gay discussed in the introduction that she intentionally chose stories that were touched by politics/activism or giving voice to the voiceless (unless i TOTALLY misread her piece–I admit, I skimmed some of it), which made “The Baptism” seem like an outlier. I’m not sure why she picked it. Glad she did, though!